Completing The Fold

Colm Cille’s Spiral has been a complex project with many elements. It addressed the apparently remote history of a 6th Century monk about which, as Clare Lees said in closing remarks to the project ‘We know nothing – right? Nothing’. It was firstly perhaps a project about the difficulties of history. It took place around six locations or knots, and each of these fractured into multiple locations (ultimately at least twelve places across the British Isles were sites for work, with others from the UK Ireland and Greece brought into play). So the project was also on the surface about territory in some way. It was ‘delivered’ by twenty-six artists and poets of varying artforms across those locations and resulted in some amazing and rich works. It gives a flavour of the richness of the project to note the media and practices included (poetry, typography, ceramics, photography, video, sound work, walking, singing, sailing, sculptural objects and installation, drawing, and the growing and documenting of online communities). A deeper look at the works, covered in more depth elsewhere on this website could extend this list. These artists have been supported and guided by five arts organisations, five universities, four independent curators and a network of advisors. This scope of time, place, people and institution gives a good idea of the projects’ complexity.

However it is important to distinguish between complexity and complication, because all these voices were navigating through and illuminating the same project and formed a related investigation around an easily grasped central point of gravitation. By finding their own interpretations and using their own networks and techniques these multiple voices were helping us all work through our own understandings.

The project was initiated by Difference […]

‘The Fold, A Creative Convention after Colm Cille’, ‘Colm Cille’s Spiral’, 30 Nov – 1 Dec 2013, Derry~ Londonderry

Colm Cille, the founding father of Derry, is attributed in a poem as describing the city as follows:

“The reason I love Derry /Is its quietness, its purity/ For full of angels white it is/ From one end to the other”.

We arrive in the city for our concluding event, ‘The Fold’, at a time when it could be described as busier than Colm Cille envisaged it in his mind’s eye, with impressive queues for the Turner Prize, nightly gatherings in squares to see the Lumiere Festival projections and generally a city and audience confidently in full swing for all the cultural offerings of Derry~Londonderry City of Culture 2013. With this event ‘The Fold’, The City of Culture itself and London Street Gallery become the containers for all six knots of ‘Colm Cille’s Spiral’.

There was a word regarding Celtic Art that Dr Katherine Forsyth (Reader, Celtic and Gaelic Dept, University of Glasgow) used in her presentation at CCA in Glasgow back in October:  ‘interlace’. Interlace refers to the complex geometric patterns on stones, manuscripts and on jewellery, where motifs are looped, and braid and knots intertwine. The detail is so extraordinary that in some of the manuscript illustrations, it would take a magnifying glass to see the full picture. This word ‘interlace’ describes my understanding of this multi-layered project.

So, if we pick up the magnifying glass and hold it up to ‘Colm Cille’s Spiral’ at its conclusion – ‘The Fold’- what can we see? The ‘interlace’ brings into full view the ‘knots’ of Glasgow / the Hebrides, Newcastle/ Lindisfarne / Bamburgh, Derry, Dublin, London / Bradwell-on-Sea and Lichfield / Llandeilo. The ‘interlace’ also braids the past and present, mirrored by a key objective of ‘Colm Cille’s […]